Kingdom of Shadows
Photograph
Colonne Morris, 1934
Notes
In the Paris night photography of Brassai and Kertesz, designer Robbin Schiff has found an engaging metaphor for Alan Furst’s dark, tense espionage novels of the second World War.
Colonne Morris, 1934
In the Paris night photography of Brassai and Kertesz, designer Robbin Schiff has found an engaging metaphor for Alan Furst’s dark, tense espionage novels of the second World War.