Red Gold
Photograph
A Pickup, Near Les Halles ca. 1932
Notes
In the Paris night photography of Brassai and Kertesz, designer Robbin Schiff has found an engaging metaphor for Alan Furst’s dark, tense espionage novels of the second World War.
A Pickup, Near Les Halles ca. 1932
In the Paris night photography of Brassai and Kertesz, designer Robbin Schiff has found an engaging metaphor for Alan Furst’s dark, tense espionage novels of the second World War.